BiblioVault - Books by Wickham, Chris

Early Medieval Italy

Central Power and Local Society 400-1000

Chris Wickham

University of Michigan Press, 1989

This book presents a picture of the history of Italy between 400 and 1000, probably the six centuries least known in all Italian history. Early medieval Italy was the victim of many invasions and had a long succession of different Germanic rulers: Ostrogoths, Lombards, Franks, Germans, as well as the provincial administrations of the various Byzantine enclaves in Italy. Despite this, the structures of the Italian state persisted with considerable uniformity from the sixth to the ninth and tenth centuries, when they began to break apart under the pressure of other social forces. The real variations of early medieval Italian history came not in the histories of the Italian states, but in the different developments of the Italian regions, with all their contrasts---between city and country, mountain and plain, agriculture and pastoralism, landlord and tenant: regions kept apart by the difficult communications of a fairly mountainous country. In the end the Italian state could not hold the disparate forces together and Italy sprang apart.

Chris Wickham chronicles these developments, describing political, economic, and social history as well as the regional history of southern Italy before showing how these forces combined as the state collapsed in the tenth century. This is the first time that the years between the Roman Empire and the rise of the Communes as a whole have been presented in the English language, making this book invaluable reading for all students of medieval Europe.

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Framing the Past

The Historiograpy of German Cinema and Television

Edited by Bruce A. Murray and Christopher J. Wickham

Southern Illinois University Press, 1992

This collection of essays was selected from those presented in October 1988 at a conference sponsored by the National Endowment for the Humanities, "Concepts of History in German Cinema." The contributors include notable historians, film scholars, and German studies specialists who explore the complex network of social, political, and religious institutions that have influenced the historiography of German cinema and television.

Before the turn of the century, Germans began to employ the medium of film to represent the past when they attempted to document their Prussian heritage. Since then, German cinema and television have promoted history as a component of personal, cultural, and national identity by consistently providing prominent treatment of historical subjects.

Although it is relatively easy to document changes in the selection and handling of these subjects, it is more difficult to determine precisely which factors have motivated those changes.

In attempting to define these factors, the link between German cinema, television, and history has developed around three interrelated issues: (1) the reception of Weimar cinema, which for most film scholars continues to be mediated to one extent or another by Siegfried Kracauer’s work; (2) the inscribing of fascism in cinema and television; and (3) the nature of, and potential for, alternatives to mainstream cinema and television.

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The German Texas Frontier

Ferdinand Lindheimer’s Newspaper Accounts of the Environment, Gold, and Indians

Daniel J. Gelo

University of North Texas Press, 2024